{"id":77467,"date":"2025-07-03T19:16:33","date_gmt":"2025-07-03T17:16:33","guid":{"rendered":"https:\/\/magazin.tu-braunschweig.de\/?post_type=kb_presseinformation&p=77467"},"modified":"2025-07-03T19:16:33","modified_gmt":"2025-07-03T17:16:33","slug":"karaoper-opera-for-all-the-senses","status":"publish","type":"kb_presseinformation","link":"https:\/\/magazin.tu-braunschweig.de\/en\/pi-post\/karaoper-opera-for-all-the-senses\/","title":{"rendered":"KaraOPER – Opera for all the senses"},"content":{"rendered":"

When opera meets participation, the result is a concert format that not only lets you listen, but also join in and sing along. With their current programme “KaraOPER”, the choir and orchestra of Technical University of Braunschweig present a project that is as thrilling as it is unusual. Famous opera choruses, intermezzos and preludes – from Verdi, Puccini and Tchaikovsky to Ethel Smyth – are performed, and at selected points, the audience becomes part of the ensemble.<\/b><\/p>\n

During four concerts in the TU Braunschweig’s Audimax, the ensembles will open up the classical concert format and invite the audience to take part in a musical experiment. During well-known choral passages, audience members are expressly encouraged to sing along. No musical knowledge or singing experience is necessary. “Opera is a powerhouse of emotions,” say the organisers \u2013 and anyone who has ever experienced the excitement of an opera choir knows how powerful this collective energy can be.<\/p>\n

Experience opera in a new way<\/h3>\n

The idea behind “KaraOPER” is as simple as it is captivating: the opera choir as the “voice of the people” is the perfect mediator between the stage and the auditorium. At a time when attending classical opera is no longer commonplace, this format offers a low-threshold opportunity to rediscover opera.<\/p>\n

Many performers from the TU Braunschweig choir and orchestra will take part under the direction of Johannes H\u00f6ing and Markus L\u00fcdke.<\/p>\n

Admission to the concerts is free. Tickets will only be issued at the venue one hour before the concert begins.<\/p>\n

Venue<\/strong><\/p>\n

Audimax of TU Braunschweig, Universit\u00e4tsplatz 3, 38106 Braunschweig, Germany<\/p>\n

Concert dates<\/h3>\n
    \n
  • Saturday, 12 July 2025, 19:00<\/li>\n
  • Sunday, 13 July 2025, 19:00<\/li>\n
  • Tuesday, 15 July 2025, 20:00<\/li>\n
  • Wednesday, 16 July 2025, 20:00<\/li>\n<\/ul>\n

    The programme includes<\/h3>\n
      \n
    • Giuseppe Verdi (1813-1901):<\/b> Preludio from the opera “La Traviata”<\/li>\n
    • Carl Zeller (1842-1898): <\/b>“Gr\u00fc\u00df euch Gott” from the operetta “Der Vogelh\u00e4ndler”<\/li>\n
    • Ethel Smyth (1858-1944):<\/b> Prologue to the musical drama “Der Wald” (premiered in 1902)<\/li>\n
    • Georges Bizet (1838-1875):<\/b> “Habanera” from the opera \u201cCarmen\u201d<\/li>\n
    • Giacomo Puccini (1858-1924):<\/b> Summchor from the opera “Madame Butterfly”<\/li>\n
    • Pietro Mascagni (1863-1945):<\/b> “Intermezzo sinfonico” from the opera “Cavalleria rusticana”<\/li>\n
    • Bed\u0159ich Smetana (1824-1884):<\/b> Polka from the opera “The Bartered Bride”<\/li>\n
    • Pyotr Ilyich Tchaikovsky (1840-1893):<\/b> Waltz scene from the opera “Eugene Onegin”<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

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